Automated subtitling workflow
Undertitle reduces English-to-Dutch subtitle operations to a final editorial check. AI does the pipeline. You keep the final word.
The sequence is the product. Skip a human checkpoint and you do not have broadcast-ready subtitles. You have a draft.
1–2
Ingest and draft
The English programme and your house rules go in. A timed Dutch draft comes out.
3
Editors keep the final word
People fix names, jokes, legal language, and anything a model should not decide.
4–5
QC and deliver
Flags first, then a file your playout chain already understands.
How it works
Broadcast teams do not need another place to chat with a model. They need a path from master to approved subtitle file that does not collapse when volume spikes.
Undertitle is that path. AI handles spotting and first-pass Dutch. Editors handle meaning. QC handles the mistakes both still make.
Play Media ran this shape of workflow and measured 82% less time and 80% less cost. The editors were still there. That is the point.
Live captions. Legal liability. The last word on a slur, a lyric, or a politician’s name. Those stay human. If a vendor promises otherwise, they are selling you a different product.
Rules per broadcaster, not a generic model
Broadcast-ready is not a slogan. It is a profile: your language, timing, segmentation, terminology and technical constraints, applied before anyone reviews a cue.
Want this mapped onto your MAM? Request a pilot.
We will run one programme through ingest, draft, edit, QC, and delivery — then you keep the file.